As Austin returns to Stage 4 in its Covid-19 response, we are continuing to accept and return instruments on our spacious front porch. We all need to do our part in protecting our neighbors and ourselves until Covid-19 has moved to flu-like status. Cossmann Violins is doing business with your safety in mind. Our showroom in the house remains closed. The shop is open for tours of up to 3 masked visitors And payment is taken online via PayPal, Zelle, Venmo, or local personal check.
Ensuring your safety remains Job One for Cossmann Violins!
Not only is the pandemic a threat to our health and that of those nearest and dearest to us and of our neighbors. The economic impact of the pandemic is taking a toll on family budgets. Cossmann Violins has tried to help. While we offered a 20% discount on all services and instruments, for the last two years, we are restoring our prices consistent with businesses around the country. We continue to offer our Rebab Model, an economical introduction to Julian's violins.
All of this is our way of saying "We're all in this together."
Musicians in Austin and beyond are going online to help keep body and soul together during the pandemic, offering classes and posting performances. We want to support these musicians by bringing those offerings to the attention of our friends and customers. Look for details in the Connecting Musicians Online with Audiences/Players section of the website.
Co-owners Julian Cossmann Cooke and Heather J. Cooke have called Austin home for nearly 25 years. They established Cossmann Violins with one overarching goal: handcrafting high quality string instruments -- violins, violas, and cellos -- and making them and their maintenance available to intermediate to advanced players at prices that don’t break the bank. Cossmann Violins also provides
a full range of repair and restoration services to customers.
Follow us on Facebook at www.facebook.com/austinviolinfamilyinstruments/ and on Instagram at cossmann_violins_austin,
The instruments that leave Julian’s hands reflect the classic traditions of handcrafting string instruments in 16th, 17th, and 18th century Europe. Those traditions endure in part because the work of modern violin makers continues to meet the needs and expectations of players and audiences.
For Julian, those needs first and foremost are playability and tone. He strives to give each customer an instrument that plays easily -- that allows the player to produce the sound qualities they want without expending endless energy. Julian’s contributions to meeting that goal are hand-selected and properly aged wood of the highest quality, varnishes made from traditional ingredients that give free rein to the wood’s voice, his craftsmanship, and an ability to listen to what the player is seeking in an instrument and translate it into his work.
Julian’s training in handcrafting string instruments began with the former director of the Mittenwald (Germany) Violin Making School, master maker Karl Roy. He studied with Karl, and with Jim Robinson and Zoran Stilin at the Violin Making Institute in Durham, New Hampshire. Julian continued his training with Charles Woolf, Georg Meiwes, Sanghoon Lee, and Aubrey Alexander at the Violin Making School of America in Salt Lake City. He hones his craft through relationships with other makers, participation in the summer workshops that bring the foremost practitioners of instrument making and repair and restoration to Oberlin College to collaborate and share knowledge, and membership in The Violin Society of America (VSA). Julian currently serves as president-elect
of the VSA Board of Directors.
Julian plays violin for pleasure with Heather, a music major in college and a player of the oboe and the cello.
The handcrafting of string instruments is a collaboration. Nature supplies the materials. The player brings a set of tonal and aesthetic requirements. The maker’s trained eyes, ears, and hands weave those ingredients together in the form of tonal and visual beauty.
That collaborative approach drives everything Julian and Heather do wi
The handcrafting of string instruments is a collaboration. Nature supplies the materials. The player brings a set of tonal and aesthetic requirements. The maker’s trained eyes, ears, and hands weave those ingredients together in the form of tonal and visual beauty.
That collaborative approach drives everything Julian and Heather do with and for their customers – whether the customer is buying a first Cossmann violin, viola or cello, trading that first instrument in for another, or seeking adjustments or repairs.
Please make an appointment to try Julian’s instruments and to hear more about: trading in your Cossmann instrument; and complementary adjustments and maintenance for as long as you own your Cossmann Violins instrument.
Cossmann Violins sells string instruments off the workbench directly to customers and on consignment to local violin shops. But if you have very personalized needs, the best way to assure that you get the instrument that meets all your personal specifications is to invest some time in commissioning an instrument.
The first step in the
Cossmann Violins sells string instruments off the workbench directly to customers and on consignment to local violin shops. But if you have very personalized needs, the best way to assure that you get the instrument that meets all your personal specifications is to invest some time in commissioning an instrument.
The first step in the commissioning process is a visit to the workshop. Julian finds that working with the player goes most smoothly when the player has a basic understanding of how their instrument will be made.
Next, Julian arranges to hear the player play their existing instrument in the setting in which they are accustomed to playing. This helps Julian pose the kinds of questions that help him make construction decisions – what the player likes and doesn’t like about the sound and playability of their current instrument and what they would like in their new instrument.
The model selected is critical to meeting those expectations. Variables like rib height, arching, length and widths will play a big role in meeting the goal of the player adapting to the new instrument as an extension of their body. After Julian takes measurements of the current instrument, he identifies several recommended models from which the player can choose.
Once the model has been determined, the player works with Julian to select the wood and general varnish appearance they would like. Julian has a large reserve of well-cured, European tonewood from which to choose. He also has a comprehensive archive of high quality photographs of master instruments from which he and the player can identify a wood pattern. If he does not have in stock a what the player prefers, Julian will work with his network of suppliers to find the desired wood.
The photograph collection also shows a wide range of varnish colors from which the player can choose.
The key construction-related choices having been made, Julian begins work and provides the player with photographs at key stages. The player always has the option of visiting the workshop to see the handcrafting in progress.
After the instrument is completed, it sits under tension and Julian and accomplished Austin players “play it in”. When the player takes initial possession, the wood has grown accustomed to string pressure and vibration. The player spends two weeks playing the instrument -- taking its measure, seeing what it is capable of doing.
At the end of the initial trial period, the player brings the instrument back to Julian and they discuss the player’s observations. Once Julian has made adjustments to the soundpost, the bridge, the tailpiece, and/or the strings, the player is off again to try the adjusted instrument.
The adjustment process is repeated until the player is happy that the instrument is what they were looking for as an improvement over what they had been playing.
Julian offers repair and restoration services on string instruments that he has not made. From simple repairs such as closing open seams to more complicated operations like installing sound post patches, replacing broken corners, and grafting old scrolls to replacement necks, Julian applies his extensive training. Each year he attends w
Julian offers repair and restoration services on string instruments that he has not made. From simple repairs such as closing open seams to more complicated operations like installing sound post patches, replacing broken corners, and grafting old scrolls to replacement necks, Julian applies his extensive training. Each year he attends workshops associated with the Oberlin College Conservatory that feature some of the world's leading experts in the field.
And when a customer wants to return to its former glory an instrument of significant sentimental or monetary value, Julian taps into his skills in restoration, for example providing edge replacement, reinforcing cracked tops and backs, and reversing and performing anew prior repairs that have failed over the passage of years. In each case, he touches up the affected varnish, improving the appearance of the violin, viola, or cello.
NOW OFFERING
THE REBAB VIOLIN MODEL
The Covid-19 epidemic has brought huge changes to the lives of people around the world, including our musicians. Acknowledging those challenges, Cossmann Violins has introduced a new line of instruments – the Rebab violin model.
Named after the first documented bowed instrument, these fine violins are made in a small village 5 hours from Warsaw, tucked into the southeastern corner of Poland and cheek-by-jowl with the Czech Republic and Slovakia.
Each violin exhibits the fine workmanship of a practiced hand. Julian receives these instruments from the maker through his US distributor, ready to be varnished and set up. .
Every Rebab Model violin gets the same treatment to the same exacting standards as the instruments Julian handcrafts from start to finish.
The Rebab Model offers the customer beauty and playability at a fraction of the price of the violins Julian handcrafts from start to finish.
Each of the string instruments handcrafted by Julian comes with:
* free adjustments, cleaning, polishing;
* free bridge replacements;
* free repairs required by structural changes, assuming no abuse or neglect after purchase;
* an option to trade up at 100% of the original price, assuming no damage other than normal cosmetic wear;
* all by Co
Each of the string instruments handcrafted by Julian comes with:
* free adjustments, cleaning, polishing;
* free bridge replacements;
* free repairs required by structural changes, assuming no abuse or neglect after purchase;
* an option to trade up at 100% of the original price, assuming no damage other than normal cosmetic wear;
* all by Cossmann Violins for as long as you own the violin, viola, or cello.
Watch long enough and you'll see dancers in Scots garb spontaneously joining in!
Austin's Katy Rose Cox @ http://www.lostpinesband.com/katy-rose-cox.html is at it again! This time on my Stradivari-Maggini hybrid personal model designed for a sound that stands out in a band. Go, Katy, go!
Fiddlisa (Austin's Lisa Schneider @ https://www.fiddlisa.com/ takes one of Julian's early fiddles for a spin. Lisa and Julian first met in Austin at her 1994 Fiddle Camp.
Helping underwrite the McCallum Fine Arts Academy Orchestra, including their 2019 travel with their string instruments to New York City to perform at Carnegie Hall https://mccallumhs.com/fine-arts-academy/programs/music/orchestra/
Demonstrating on actual violin parts the art of handcrafting string instruments for Austin's kids and serving on the Austin Soundwaves Advisory Council. https://www.austinsoundwaves.org
Donating completed string instruments that had been used in research on Julian's many varnish recipes and 5% of proceeds from violin, viola, and cello sales to Austin Soundwaves www.austinsoundwaves.org
Listings for musicians in this section should not be interpreted as an endorsement of Cossmann Violins instruments or services by those musicians. Listings are provided by Cossmann Violins free of charge.
Cristian Fatu is recognized as one of today’s most exciting young violinists, praised for his virtuosity, technique and bright artistry. He has won prizes at more than twenty-five national and international violin competitions in his native Romania and abroad. Currently Cristian is a freelance violinist based in Los Angeles, CA, member
Cristian Fatu is recognized as one of today’s most exciting young violinists, praised for his virtuosity, technique and bright artistry. He has won prizes at more than twenty-five national and international violin competitions in his native Romania and abroad. Currently Cristian is a freelance violinist based in Los Angeles, CA, member of the New West Symphony first violin section and Faculty at Pierce College, Woodland Hills, CA.
See his livestream performance February 19, 2021 at https://hotshopsartcenter.org/event/livestravaganza/
Read more about Cristian at cristianfatu.com.
Violinist, composer, and Austin Music Award winner Will Taylor has performed with Pearl Jam, Grammy award-winning Shawn Colvin, P-Diddy, Willie Nelson, Ronny Cox (Deliverance), and many more. Will grew up and raised his kids in Austin, played in the Austin Lyric Opera orchestra, and leads a musical ensemble, called Strings Attached, tha
Violinist, composer, and Austin Music Award winner Will Taylor has performed with Pearl Jam, Grammy award-winning Shawn Colvin, P-Diddy, Willie Nelson, Ronny Cox (Deliverance), and many more. Will grew up and raised his kids in Austin, played in the Austin Lyric Opera orchestra, and leads a musical ensemble, called Strings Attached, that has been a cornerstone of the Austin live music scene for over two decades. Find more about Will, Karen Mal, and Strings in the Woods at https://www.stringsinthewoods.com/events.html
People ask Warren Hood a lot of questions at the end of a show – what was the name of that song you played – it sounded like Stephane Grappelli maybe, right after the Doug Sahm cover? How did you learn to play fiddle like that? Are you playing anywhere else this week? How old are you? Warren always obliges to answer all of the questions,
People ask Warren Hood a lot of questions at the end of a show – what was the name of that song you played – it sounded like Stephane Grappelli maybe, right after the Doug Sahm cover? How did you learn to play fiddle like that? Are you playing anywhere else this week? How old are you? Warren always obliges to answer all of the questions, that’s just his character. He cares deeply about the experiences of the people who come to his shows and buy his records and works hard to create memorable live performances and albums.
Warren spends as much time with his band as he does playing and recording alongside other artists: David Ball, The Bodeans, Hayes Carll, Joe Ely, Alejandro Escovedo, Robert Earl Keen, Ben Kweller, Little Feat, Lyle Lovett, Joan Osborne, Toni Price, Bob Schneider, South Austin Jug Band, Redd Volkaert, Jerry Jeff Walker The Waybacks, Bob Weir, Bruce Robison and Kelly Willis and more.
During the pandemic, Warren offers home fiddle and mandolin sessions for other artists songs and small outdoor private parties. Warren can be reached at hood.warren@gmail.com and you can read more at http://warrenhood.com/
Austin-based fiddle player/violinist, Lisa Beth Schneider (“Fiddlisa”), is a seasoned, soulful, eclectic performer and insightful private teacher. She has always fancied herself a bit of a Renaissance woman with broad interests and endless curiosity about the world around her, but the one constant in her life has been music. Her current
Austin-based fiddle player/violinist, Lisa Beth Schneider (“Fiddlisa”), is a seasoned, soulful, eclectic performer and insightful private teacher. She has always fancied herself a bit of a Renaissance woman with broad interests and endless curiosity about the world around her, but the one constant in her life has been music. Her current emphasis is international ethnic folk music…the beautiful, accessible, and sometimes haunting music of and for the people. She adroitly embraces old world melodies and spins them through her own web of personality and experiences.
For more information, see https://www.facebook.com/AdultViolinFiddleLessons or email Lisa at fiddlisa@yahoo.com.
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Thanks to KMFA - Classical 89.5 in Austin for this very nice profile on Julian's handcrafting of string instruments.
https://kmfa.org/pages/2843-business-spotlight-cossmann-violins
A profile of the maker of string instruments the newspaper of his hometown, Oberlin Ohio - page 9
An article addressing the issue of "workshop of" string instruments -- violins, violas, and cellos bought in the white from one maker and then fine tuned and varnished by another maker. Downloadable in PDF format below.
Cossmann Violins did a fantastic job of replacing the bridge and adjusting the soundpost on my cello. When I got it back, it sounded like a completely different instrument. I will definitely be coming back!
- MD
My fiddle had been having some issues for a while, so I took it to Julian for some work. I had waited so long that it had several more issues that I originally thought it did. Julian was super nice and willing to work with me to see what repairs needed immediate fixed and what could wait a bit for next time I decide to bring it in. I don
My fiddle had been having some issues for a while, so I took it to Julian for some work. I had waited so long that it had several more issues that I originally thought it did. Julian was super nice and willing to work with me to see what repairs needed immediate fixed and what could wait a bit for next time I decide to bring it in. I don't think I could have found a better place to bring my violin to and would highly recommend Cossmann Violins for violin repairs.
- KS
Julian is an absolute top craftsman. I've come back to him many times and he's always been willing to help tweak my violin. My father ended up getting a number of things from him too! I highly recommend.
- SM
Amazing violin maker!!!
- AB
Cossmann Violins is a rare find that is highly recommended. Julian, a true master at his trade, takes his amazing luthier skills above and beyond, applying his knowledge with passion to what he does. No job is too big or too small for him. I took my cello to him, and he truly surpassed my expectations, not only for his vast knowledge and
Cossmann Violins is a rare find that is highly recommended. Julian, a true master at his trade, takes his amazing luthier skills above and beyond, applying his knowledge with passion to what he does. No job is too big or too small for him. I took my cello to him, and he truly surpassed my expectations, not only for his vast knowledge and experience as a luthier, but also for his honesty and true integrity in what he does. He has definitely earned another client for many years to come. Simply amazing!
- LH
First, Julian had an attention to detail and concern for my instrument that I have not found in a typical high-volume environment. I'm a cellist with an intermediate-level factory cello. He took care of what I wanted to have done, welcomed and encouraged communication during the process, and left further options on the table without being
First, Julian had an attention to detail and concern for my instrument that I have not found in a typical high-volume environment. I'm a cellist with an intermediate-level factory cello. He took care of what I wanted to have done, welcomed and encouraged communication during the process, and left further options on the table without being pushy about it. Second, Julian is a great human being. He is deeply engaged with his craft and with providing fulfillment to string players. It's clear he was motivated by my enthusiasm for being reunited with my instrument. It's great to have found a luthier of his skill. Whether a new string player or a professional, I'm quite confident you will be pleased with your experience and the outcome. I look forward to exploring this new setup for awhile, then coming back with another list of to-do's! duct or service you'd like to show.
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